Learn the biggest secret of every good writer

secret_goodwriter

We all know that nobody is born as a good writer. It is a constant process of becoming. And I do believe that the difference between good and bad writers it’s not about the skill or gift. It’s not even about the number of written or published pieces. The key word we are looking for is persistence.

Good writer is writing – no matter how many times he fails or writes crappy work. He is there showing up every day, practicing and trying to improve himself. Not only writing, but everything that goes with writing.

In that sense, I think that biggest secret every good writer knows and we often forget is how good writer treats his bad writing. First, he takes time to write, erase, rewrite, edit, tailor every word to what’s need to be written. And how does he know what’s need to be written? He is attuned to his inner-self and follows the voice that drives him to write. Once you master to recognize that voice, you will know if what you wrote is good or bad.

The second essential part here is also his relationship to criticism. He is persistent, not afraid to try, to let his work be judged by the public eye. He knows how to tame his ego and accept constructive advice that can only help him become better and improve his writing.

Good writer is not writing because there is nothing else to do or simply he likes recreationally to scribble. There is ingrained need in him that he has to tell something, his story needs to be written. It’s not a job. It’s not a work. It’s almost like breathing.

Many writers do achieve certain level in their skill and they are determined that it’s all there is. They believe, by default anything they write is good and not subjected to alteration. In reality, what happens is that fear of failure is greater than desire to produce really good piece which requires additional effort and time. And frankly, often their writing is not even close to be good as they think.

Being defensive about the quality of your work is not going to make you a good writer.

So what can you do?

You can make a decision to be different and take responsibility for your writing. Go and write that extra page that many aspiring writers are not prepared to. Put an extra hour and improve that paragraph that has been bugging you. Be brave and send your poem to that journal you’ve been reluctant to do for so many months.

That’s how you become a better writer: with stillness to listen and eagerness to change. Are you ready?


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A minute of

Cannot name that color: looks like wet white, an ivory with shadow or grayish that we used to call ‘pigeon dirty’. Painting of a horse head in ochre tonalities suited very well, especially with engine strokes so beautifully placed above the horse’s mane. Dark wooden frame bounds like it borders something very important. But the head was turned sideways, it listened carefully but didn’t have the guts to look around. Even the picture! Next to it, a playful aquarelle of Bruges, centered around innocent afternoon and lazy clouds. Water pretends to be still, but cannot hide the reflection of reddish bricks, red like cheeks of girl on the first date. This one stood tall, a painting bought as a remembrance of one hopeful day. In the next corner, 45 degrees further hanged a tapestry, old and out-worn, last twitch of the hand that wants to forget tradition and robust lines of family roots. And there was our floor lamp, high and dignified crown of an early spring tulip. This fragile light-keeper claps its metal cold hands in the curled handshake – even it’s lifeless and heavy body  prays for a minute of contempt, minute of sound and minute of everything else we didn’t manage to achieve in the empty room of our lives.

Maja S. Todorovic


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Poetic inspiration: Every creation has a life of its own, so does written word

fruits-of_creativity


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Get busy with writing – free e-book avaliable

My dear readers,

I hope that for all of you this year has started on the right track, with enough energy to tackle any problem and challenge coming your way, with positive thoughts and enthusiasm to fulfill your writing and other creative plans.

Year 2016 was a great learning path giving me the opportunity to connect with many of you, get acquainted with your work, ideas and writing. It is very inspiring to be part of such community and simply have that opportunity to improve my own writing and creative skills.

As my small ‘thank you’ to all of you, I have developed and compiled an e-book, that is all about getting inspiration and creativity nudge for our writing and brainstorming. It consists of 31 daily prompts that you can use anyway you like. I know we all face lack of inspiration, doubt, discouragement and procrastination from time to time. This is my little way of helping you combat those situations and I hope you’ll like the exercises. Many of the challenges in the book you already know, but there are also some new additional ways to move in the creative flow, which you will also find in the book.

get-busy-with-writing

If you are signed up to Business in Rhyme newsletter, you already have the access to the book. For all of you who would like to receive the e-book directly, you can do that by following this link and signing up for newsletter. You can opt anytime.

I also encourage you to share this information as we can all work together to improve our writing and enjoy our creativity more. Your comments, feedback and ideas for improvement are all appreciated and welcomed.

Business in Rhyme also has a lot of plans for improvement and moving more into professional realm, so stay tune for novelties and makeover. 🙂


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3 simple truths about criticism we often forget

criticism_writing

Rejection. Bad review. Returned papers and manuscripts. All these essentially we consider as a bad news. And it’s not fun to experience it. You feel naked and exposed, your heart is pounding, probably you are blushing and even feel embarrassed. “How did this happen“, you might slur for a second, but the only thing you can actually think of is how hurt, disappointed and discouraged at the moment you are.

Today I want to share with you a different look at the criticism that might help you deal with these situations easier in the future.

I believe, the first and foremost thing we need to do is to accept that it is simply inevitable –  there is very small likelihood that everybody will like and approve of your writing. As we are able to appreciate praise for our work so there is also the other side of the coin: we need to face there is always a chance that someone will not find our work suitable.

The second truth we often forget is that there is nothing personal about it. There is no conspiracy against you and your work. Nobody hates your poems and your stories are not boring. But the problem here is that we as writers always offer something that is part of us – thoughts, emotions or knowledge. Any criticism that comes our way, we might translate as a personal attack – to some point that many writers give up creating at all.

One simple thought that helped me a lot at the beginning of my academic career is that any professor, writer or reviewer of my work was also a beginner. He was also rejected and criticized. With years, I managed to write and work with many people I admired as a student. But it takes time and persistence.

Another thing I learned along the way is to differentiate constructive criticism and when someone is just plain rude. These are two completely opposite things: constructive criticism is oriented towards offering helpful insights and advice, while when someone just bashes your work to satisfy their own ego issues – well these type of people you want to avoid completely. These are all merely opinions and you always have the opportunity to explore the source – where is this criticism coming from, is it really applicable to your work, how reviewer /editor is really competent to analyze your type of work. And from that point decide how to accept or deal with criticism.

The third truth that will serve you the most is – take what you can from that experience and simply let go. In order to continue writing and creating, this is the crucial step. If you got honest feedback about your work, take a step back and think how it can help you in your future work; how you can use it to improve your writing and creativity.

Any negative situation is your chance to learn and grow. You are the only one in charge of your self-confidence, so keep writing.


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Poetic inspiration: Every writing and every reading is always relevant

A photo by Oscar Keys. unsplash.com/photos/AmPRUnRb6N0

Any written poem –

just like language is ever-evolving,

changing, as each time

we can perceive it, experience it

differently.

Maja S. Todorovic


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The Poem Strikes Back! (creative writing exercise)

poem-strikes-back

It’s a bit strange title for the blog post, isn’t it? This is a different approach to writing prompts and exercises that you are accustomed to on this blog, but the last thing we want is to be boring and monotonous.

And before you dismiss whole idea, because it sounds silly – actually it is all about being aware of different perspectives. This is a sort of continuation of blog posts related to mindfulness and why not taking a role play as a foundation for writing prompt? To go even step further, let’s imagine that you are a poem. What would poem have to say? We use our writing as a tool to release our anger, love, passion, depression, fears, admiration, secrets, desires…Is your poem tired of you? Are you whining all the time? Are you always concentrated on what’s going on inside yourself that you missed a beautiful, strong and passionate  winter storm? The birch outside your window doesn’t have any leaves, have you noticed that?

Or you are trying to please everybody all day and you forgot to smile. Can you count how many times you smiled today?

Do you remember your latest dream? And when was the last time you danced to your favorite song?

Let your poem tell you all that. Imagine your writing is a mirror, what is it reflecting? What is missing out of your life? What is too much?

This is something I like to call reversed mindfulness. You are observing, noticing, listening…but instead of what is, we can focus on what isn’t. Our poem can tell us that story, a sort of self-reflection that shows us where our life is at, right now and what we can change.

It doesn’t matter if its humorous, boring, exaggerating – nobody is perfect, so neither is your poem. It’s about the understanding how we can enjoy life more.

So here’s the setting: It’s time for your writing. You are about to sit at your table but there is already a piece of paper waiting for you. It’s a poem, addressed to you and it says: “Dear_______

So, this is my take on the exercise:

Dear Maja,

how are you today?

Another grey Tuesday in the sunny Hague?

That rainy hat you are teasingly pressing on your head

Forget it…let it blow

like a wild bat…

Feel the wind through your hair,

that boring despair – leave at home

(there’s no such thing  “a graceful yawning”

I can tell you that!)

And why there are only two crossed lines

on your forehead?

Smile with your face,

you don’t have to know everything just yet.

Life unfolds, there is a reason I’m saying you this.

Stay close to me, my dearest friend.

You are not alone – like the Moon follows Earth,

I’m behind you, invisible, most delicate thread

you’ll understand, close your eyes, jump over that doorstep.

What your poem has to tell you?


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Poetic inspiration: writing is breathing

How do you make writing a habit? By making room, time and prioritizing your writing, until it becomes habitual, just as breathing is – when you don’t have to think about you need to write – you just do it.

habitualwriting


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Lighthouse

Is made of tears,
No bricks, no wals
you spin, haunting
your own fear

and recklessly try to climb
But day retreats, cowardly, in guilt,
Quilted with shy stars and mourning moon.

And I say, restore and watch
How streets glitter instead
Like fireflies caught in the rain.

Distant, but intense,
Those closer are warmer.
Snow rolls in between breasts
Of this curvy city,
Snow dry and crumpling like fine
wheat flour.

Feel the moment with your palm
As enters your nostrils, pinches and itches
Rub  it with your index finger.

I am a slug and I leave trails
For those lost among vowels
Sincerely meant but never fulfilled.

It’s not a broken promise, just
A miss, mismatch of right colors and
Puzzled shapes.

You’ll grow your own tale
When night falls
A tale you’ll trim with each coming dawn
And sew yourself in the mouth of the world.

Maja S. Todorovic


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Albatross

Grey marble dissipates in the sky,
With stoned shadows, astoundingly monolithic
Stack of matches pretends to be a bridge
One that will burn itself, in time, in song.

My neck is giraffic periscope thriving to the sky
In a minute an eyeball, in a second a curled hedgehog
Leaning like a head on the door.

So close to me, you are so close to me.

Whisper you can’t catch, it only comes to the privileged.
Soft, yearning and albatross of wind stuck in my hair
Thinner than paper cut but red and burning just as
Blood skirting of its edges.

My name searches for meaning among other women
Who knew of their existence
Probability was lost in the variety of choices,
Misled by a reckless afternoon.

As I drink this butterfly offered to me so many times
I won’t choke. A siren of lust is not forgotten, just postponed
For better….something. In stillness, question becomes
always northerly oriented moss

With wet dreams and I sneeze and sneeze
Like a puppy  accidentally inhaling ground pepper.

Sometimes I pray for numbness, the numbness of darkness.
With soft whisper, today maybe blue, cobalt blue like
eggplant sky above me.

Blue is cold, but promising just as this winter,
Where leaves become ice drones and roots
beg for new cracks in soil.

In the mouth of tomorrow shaky and sweet like pudding
while swimming in acidic uncertainty
I’ll play with distance and squeeze the nearness so inviting.
Until it drops – drop by drop in a rainy puddle:
Until I bleed again.

Maja S. Todorovic


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