Need a steady ‘stream of creativity’? Practice being proactively creative

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I have often written here about the unpredictability of creative outlets, the inspiration that comes in the most strangest time and situations, but can we really do something about it and take just a little bit control over it?

What I observed in my years of research and work is that we as humans tend to be reactively creative. It means that we search for creative solutions and answers mostly when we are challenged to do so.

For example:

  1. A problem or difficult situation appears in our lives;
  2. The situation makes us feel really constrained to the point it provokes us to ‘take the things into our hands’ and solve it;
  3. The problem is out of range of our typical solving problem skills – it requires of us to think differently and come up with a creative, non-standard solution.

When these 3 things happen, then we are prompted to react to a problem and get creative.

What if we take a stand to be proactive about our creativity? Actually, can we practice creativity regularly? Some experts claim you need to be proactive about your creativity to discover and manifest your true potential as a person.

We are creatures of habits and conformity. Most of us are dreaded by the thought of any change in our lives. But if we do make a little challenges for us every day, we are actually practicing our creativity, being proactive about it.

As Brian Eno puts it in this interview:

The point about working is not to produce great stuff all the time, but to remain ready for when you can.There’s no point in saying, ‘I don’t have an idea today, so I’ll just smoke some drugs.’ You should stay alert for the moment when a number of things are just ready to collide with one another… The reason to keep working is almost to build a certain mental tone, like people talk about body tone.

So what can you do to practice proactive creativity? For example: take participation in the activities in your community, take an art class, invent new recipes – learn to cook new dishes, travel and learn new language, try new sports or dance, eat with chopsticks instead of using fork all the time, change your usual route to work/school.

Try and experience something different form your current skill sets  –  you may be pleasantly surprised by the fresh creativity that will start to pour in. It’s a kind of preparation phase as B. Eno says, when unpredictable good ideas appear – you are ready to make the most of them.

We can design our lives in such way we invite creativity every day- it’s up to us.


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Conjunction

She slowly travels towards destined ninth house

where Mercury peacefully waits for Jupiter to arrive

in peregrine flight, exalted in graceful detriment

of opposing stone monolith in the third,

(wanting to return in second)

strong, but humble in the waiting room

of offspring stars breast-fed by the ever-giving moon

 

Maja S. Todorovic

Have we met?

Yes, I know you, Fear.

 

I know…how my mother’s body

screamed when she couldn’t get out of bed.

Her eyes would darken,

swallowing my childhood smile.

 

I know how my older sister hid her head

among pages, pretending to be an astronaut

and I was a suitcase she rolled over the moon.

 

I know how my father duct-taped his voice,

washing for hours his hands in a bathroom sink

each time he would crush the car.

 

I know, you are that lump in my throat

too large even for this poem to hold.

 

Maja S. Todorovic

Poetry improves lives:a guest post by Cherish Tiana

This is a guest post, a courtesy of a fellow poet and writer Cherish Tiana where she shares her heartwarming story on how poetry gives voice when nobody listens:

The only way to explain why I write is to explore the time in my life when I did not and could not. The only way to explain my creativity, my inspiration is to return to the point where I was devoid of either.

I have discovered several things that are necessary for me to be able to produce creatively: self awareness, self acceptance, and self satisfaction.

These things had been lost to me a few months after the premature birth of my son. I would like to say they were violently stolen, but the correct phrase would really be freely given. At every stage of my pregnancy, of my birthing process, and of my early stages of motherhood, I was criticized, doubted, questioned, ridiculed, ostracized and ignored; I internalized it.

I was ignored when I told the doctor my son is large for a 31 weeker, she denied that possibility and proceeded to make an incision he would later become stuck and nearly die in. I was ridiculed when I did not want to vaccinate my son before taking him home from the NICU because I had read the drug insert for the hepatitis B vaccine, which (if I can let you in on a secret) doctors never do.

I was ostracized from the pediatric medical field because I did not want to add additional risk for my son who had not even reached his due date by the time he was released from the hospital (born at 31 weeks gestation, released at 34).

I was questioned when, two weeks after finally giving into the vaccine because we would go without a pediatrician otherwise, my sons vaccine injected leg was inexplicably broken. Horrified, fearful of this unknown source of attack and constant threat of misfortune, my fear was magnified by the blame that I had caused the break by abuse. Abuse that not only did not occur, but did not even reveal itself upon medical examination of my son.

I gave my voice away and I pimped my convictions for the sake of being accepted but when I searched out a deeper level of satisfaction, awareness, and acceptance of myself, I found that not only was I liberated, but I was free to flow creatively once again.

In my poetry, I express my liberty. My voice is no longer silenced and most importantly, I am unapologetic about it.

The Apology

I apologized for not fitting into the mold that society laid out for me.

The “Land of the Free”
but only if my thoughts and vision fall into alignment;
if not you place limits on my creativity, chains to maintain the course of my liberty.

I apologized when my opinions
offended your sensibilities and the fragility of your insecurities.

You gave me the label of opinionated, a scarlet letter in our society.
“Quiet your noise”, you said, “because opinions are unbecoming”.
“Just fall in line with the status quo”.
You would rather live what you know than expand your thinking and take the opportunity
to grow.

So I apologized.

I apologized for the truth
because the truth made you uncomfortable.

I apologized.
Many times, I apologized.
When it was a lie, even still,
I apologized.

So excuse me if I don’t offer you an apology.

Pardon me, I’m just no longer sorry.

Cherish is a writer, poetess, Greek/Hebrew enthusiast, and a follower of Christ. You can find her writings at reignoffaith.wordpress.com


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9 best practices that can drive your editing process, part I

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This is one of the topics I haven’t written about on the blog before and finally that time came. I know how it is hard to edit your own writing and I will share what in my experience has brought me the most effectiveness in this area.  This post will be divided in two parts and I hope it will help you in your editing process as well.

One of the first things I noticed, depending on your genre of writing and worth keeping in mind is that:

  • Editing of non-fiction writing is far different from editing fiction writing – there are more factors involved that constitutes making a good story, character than in developing an instructional texts, for example.
  • When you are writing an e-book, that requires different format and ‘packaging’ in comparing to your shorter versions you write for an online community like blog posts.
  • A paper copy of your book is very hard to correct (actually once it goes in printing that’s about it) than comparing to a digital version of your work.
  • Your final version of the manuscript that goes to agents, publishers or to be used as reference in some way (like student books) requires that you give all you’ve got to make it understandable and comprehensive as much as possible.

Now, when you spend years in some form of writing, your editing approach evolves as much as your writing. How your writing improves, somehow your need for editing is adapting – still, I always aim to stay true to myself in my communication. That’s the core rule.

Nevertheless, there are few effective tricks that help me become more productive in my editing:

1. Reading out loud.

Only by reading your writing out loud you can get the feel how it gets perceived by the reader. You notice the rhythm and fluency of your words. It can help you immensely.

To carefully edit, read it out loud a few times, and then move on.

2.Let it ‘marinate’ over night.

It gives you an opportunity to observe your writing from fresh and clear perspective; it helps you restore your inspiration and tap into your own creativity – than any revision goes smoothly and you are able to express your thoughts more eloquently.

3. Edit in intervals.

When you read your writing, a lot of things might bug you at the same time: poor grammar, repeating phrases, mushy sentences…When you edit, try to focus on only one thing at the time. For example:

The first time, go through content, cohesion and rhythm of your writing. Are there any ideas that are disconnected, gaps of information, ext? Reading out loud helps you find these omissions. Or even better –  read the piece out loud to someone unfamiliar with the subject and listen to where they start asking questions or looking for clarity. That means you haven’t explained something well enough, and requires further elaboration.

The second time pay attention to your structure and with what impression leaves you the piece as a whole when read? Is there anything you need to emphasize? Does the format supports the purpose of your writing? Always format accordingly to your requirements to show your professionalism. It’s easier for readers to digest information presented and editors prefer industry-standard formatting.

The third time you edit, focus on details, typos and grammar. Probably  you’ve already found some of these by reading your work twice before. Some tips you can use here include:

– use action verbs instead of passive ones;

– avoid using grammar expletives;

– don’t dwell too much on punctuation rules.

Do you know your 5 most frequent words you use in your writing? Overuse of certain words can make your writing repetitive, boring, uninviting. Don’t be afraid to use different words especially in fiction like slang, words from different languages and less used phrases. I like to use slang or terms of natural phenomenon when I want to accentuate a situation or a character. It can spice up your writing and make it more interesting. Can that confuse your reader? Maybe, but look at it like you are offering your reader an opportunity to learn something new. A tiny dash of mysteriousness in your writing can do no harm – on the contrary – it gives special charm and flavor to your piece.

In the next part we’ll talk more about how to silent that inner critique that simply sabotages our editing productivity.

How does your editing process look like?


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